Biography
El Greco (Domenikos Theotokopoulos) (1541–1614)
Born in Candia (Iráklion), Crete. In Italy having been called Un Grequa and later in Spain Este Greco. Few details of his life are known. Having been in Venice by 1570 (he most likely studied under the then outdated Titian), if he went to Italy is uncertain. His initial known portrait there was required for 1577 in Toledo, where he spent the rest of his life.
His early job, reflecting his origin, reveals the affect of Subtil icons, nevertheless also the influence of Michelangelo and Mannerism, as well as the Venetians (including Tintoretto and Bassano). Using this he advanced to his extraordinary, extremely personal faith based style significant both of The spanish language fanaticism wonderful own religious ecstasy.
His works happen to be finished with enthusiasm and electric power. An otherworldly quality is suggested by the elongated bodies, the bold, nearly phosphorescent, colours with well-defined contrasts of blue, yellow-colored and green.
The mental rather than the genuine content from the subject started to be increasingly stressed as the Mannerism of his before style can be modified by a baroque pregnancy of space and movements.
Among his masterpieces are The Burial of Count Orgaz(Toledo), View of Toledo (New York), The Scourging of Christ (Madrid) and The Disrobing of Christ(Munich). Despite the spiritual preoccupation of his piece of art, he was a humanist, incredibly widely browse.
Biography
Este Greco (Domenikos Theotokopoulos) (1541–1614)
Born in Candia (Iráklion), Crete. In Italy having been called El Grequa sometime later it was in Spain Un Greco. Couple of details of his life happen to be known. He was in Venice by 1570 (he likely studied underneath the then old Titian), when he went to The country of spain is unclear. His original known portrait there was required for 1577 in Toledo, in which he spent the rest of his life.
His early function, reflecting his origin, reveals the impact of Subtil icons, yet also the influence of Michelangelo and Mannerism, as well as the Venetians (including Tintoretto and Bassano). Out of this he developed to his extraordinary, extremely personal faith based style expressive both of The spanish language fanaticism and his own religious ecstasy.
His works will be finished with interest and electricity. An otherworldly quality is recommended by the elongated bodies, the bold, almost phosphorescent, shades with well-defined contrasts of blue, yellow and green.
The emotional rather than the real content from the subject became increasingly pressured as the Mannerism of his previously style can be modified by a baroque pregnancy of space and motion.
Among his masterpieces are definitely the Burial of Count Orgaz(Toledo), View of Toledo (New York), The Scourging of Christ (Madrid) and The Disrobing of Christ(Munich). Despite the religious preoccupation of his piece of art, he was a humanist, very widely go through.
