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Symbolism plays a major part in chitra essay

Chitra Divakaruni, Arranged Marriage, Racism In America, Play

Excerpt via Essay:

Symbolism takes on a major role in Chitra Banerjee Divakaruni’s “Clothes, inches Ralph Ellison’s “Battle Royal, ” and in Colette’s “The Hand. inch In “Clothes, ” the narrator is actually a woman in India coming from a traditional French family. Her parents go through a lot of trouble to set up a good marriage for her, to the Indian man who right now lives in the usa. The husband-to-be flies all the way to India to satisfy the narrator, who dresses for her bride-to-be viewing. What she has on and how your woman dresses become powerful signs of cultural and personal identity, also symbolizing specific stages of your life. In “The Hand, inch the narrator is a female who was just lately married to someone she barely is aware, as if it were an arranged marital life. While she actually is in bed while her spouse sleeps, the narrator contemplates her life. Her thoughts shift to issues linked to gender tasks through the significance of her husband’s hand. In “Battle Royal, inches the narrator is a great African-American guy who contends with racism. The denominar battle signifies the struggle for social justice and the struggle to find a strong personal identity within a hostile society. Each of these three narratives uses symbolism to show issues and themes relevant to power, culture, and identity.

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In “Clothes, ” the industry chapter within a novel called Arranged Marital life, the images of clothing is related to gender, personal personality, and culture. The narrator describes her saris, sometime later it was her european style clothes, in terms of precisely what is going in her life. To start with, her father and mother make her marketable to get marriage by providing her “the most expensive sari I had at any time seen, and surely the most beautiful, ” (Banerjee Divakaruni 1). Wearing this kind of sari, the narrator knew that she’d be decided to be the man’s better half. It was, as she puts it, “a sari that could change one’s lifestyle, ” (Banerjee Divakaruni 2). Clothes are likewise used inside in the tale as a metaphor. For example , the narrator states, “the syllables rustle uneasily in my mouth just like a stiff silk that’s hardly ever been donned, ” (Divakaruni 3). Then, the narrator realizes the importance of clothes to personal identification and tradition. She envisions the saris in the suitcases because they will remind her of home. Later, the girl wears denim jeans and tshirts in secret with her new partner because they are the markings of her fresh identity since an American woman. At the end in the story, since she would wear a white sari to represent death, the narrator is also aware that she has made the transition by a traditional existence as submissive, obedient, compliant, acquiescent, docile wife to a new existence as a self-empowered individual. Clothes symbolize that transition.

In “The Hands, ” as with “Clothes, inch symbolism relates to gender plus the social position of women. Yet , the narrator of “The Hand” contemplates the way she feels conscripted to living a life as being a subservient stay at home mom, symbolized by simply her husband’s hand. Throughout the short tale, the side is a phallic symbol. The narrator observes the side under the linens as the girl lays

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