There’s also a man in the carriage using a strange face mask on. The mask consists of coins. During the past people used to put gold coins on the sight of deceased people to continue to keep out spirits this conveys the idea that those know something happens to be un-natural about the area. The lady hands some thing to Jonathan. An put in shot displays what the lady handed to Jonathan. A crucifix, to protect from wicked spirits, after that we see a reaction shot in which Jonathan appears confused. Then we listen to a foreign tone say a thing that we never understand, a subtitle on the bottom of the display screen says, Pertaining to the useless travel fast This means that though Jonathan might not be dead, this individual has journeyed fast like a dead person would.
The director got the lady declare this to produce the impression that Jonathan is in some kind of danger. Then the obscured man slams the door closed and the rider makes a noises urging the horses to advance. A long shot/ straight perspective shot of Jonathan makes him seem to be small against the surroundings and intensely vulnerable. A long shot/ large angle shot of a wood post, markings his quest. We hear wind in the back followed by a clash of thunder.
Then we see Jonathan looking at the sky and also the post, we all cant notify which one. We hear a screeching sound which gets louder right up until we listen to a crash of thunder and lightning lights up the face of the creature within the post, which I think can be described as bat which can be connected with Dracula but others say it is a wolf. The creature around the post could be warning visitors to stay away. That entire scene creates anxiety, again leading us to trust Jonathan is danger. A wolf advances from the middle of the screen toward the still left of the display. The close up/straight angle shot of the wolf makes it seem very risky.
The main light is from the wolfs sight and again it is an eerie blue lumination reminiscent of lighting earlier inside the scene. We could hear the wolves peaceful and growling at Jonathan. The growling becomes even more constant. Then the coach comes towards him and it shocks him, but you don’t hear it before the last second. The carriage looks like a burial cart and is being pulled by several jet-black mounts that appear to be floating. We have a mysterious number driving the carriage. Underneath the coach we can see swirling mists that gives all of us the impression that the equine and buggy is un-natural.
Then we come across a method shot/ right angle shot of the new driver. He is within the cape using a large training collar. His layer overlaps like armour or scales supplying the audience the impression the fact that driver might not be human. A hand extends to out for Jonathan and the camera moves and focuses in on Jonathan. The only lumination is via an oil lamp in the carriage. The hand reaches out for Jonathan. It is very lengthy and as opposed to anything human being. While the hand is reaching out for Jonathan, he looks very amazed and stands motionless. The hand rests on his shoulder and holds him.
Rather than guiding Jonathan into the buggy, it appears that the driver just selections Jonathan up and sets him inside the carriage. The door shuts alone, which is weird. The next shot is a response shot. Jonathan looks pale and the only source of light is from Jonathans deal with. We listen to a split of a whip and the horse neigh. The driving force is wearing a helmet that is certainly shaped such as a bird or perhaps it may not certainly be a helmet. Jonathan then looks up at the driver and says Drivers, is the castle far? Jonathan gets not any reply in the driver. Rather the driver responses with a grunt.
Making the audience think that the driving force is certainly not human. The director decided to do this to demonstrate that no human would go there. The driving force is shrouded by air so we cant seriously tell, what he is. After that we resume a close up shot of Jonathan searching down at a precipitant, precipitate mountainside. For the mountainside, rubble and rocks are dropping down and the wheels of the carriage are extremely close to the aspect of the cliff. The director chose to accomplish this to show the instability with the cliff encounter. During the scene, we can nonetheless hear the horses shifting and rattling and the neigh of the race horses.
Then we see a close from Jonathan in the carriage in which he looks concerned. We then simply see a significant castle, which looks like an individual sitting on a throne, observing over the landscape. The representative chose to try this to show Dracula has some power. We can see the horses nearing the fortress. The next landscape is where the horses are merely arriving at the castle. Blue rings go up from the ground since the race horses enter the castle grounds. The rings appearance and seem like a rush of gas or electrical power. We see a try through the rings, of the horses and carriage.
We get the impression that Dracula can be strange as they has peculiar things about him: The eerie blue mild, the eye observing Jonathan plus the castle molded like an individual sitting viewing over the surroundings. Then we come across a close up of Jonathan taking a look at the bands with a appear of fascination on his encounter. Then we are able to hear the mechanism with the gates as they start to close. The entrances appear to appear like claws, final and trapping Jonathan in. Then we have a clash because the entrances go with each other, followed by a period of peace and quiet in which the market is still left to consider what could have store to get Jonathan.
From this assignment I actually looked at Jonathan Harkers voyage to Draculas castle. I looked at how Coppala developed sense of danger about Jonathan by making use of camera sides, background music and special effects. The director uses lighting, wolves and an orange skies to make the audience think Jonathan is in hazard, and a great eye, which in turn seems to be viewing Jonathan on numerous events throughout the cut. The eye in the peacocks feather, the eye around the map as well as the eye when hes around the train are just a few of the happenings, which make a sense of danger.
I believe that Coppala does a good job in resulting in the sense of danger because the audience even now thinks something is not proper about Jonathans journey. At the end of the clip Coppala uses the claw shaped gates to give all of us the impression that Jonathan is caught which I think is very effective.
