Excerpt from Essay:
Condors consume dead squirrels but the heavy birds as well consume the poisons meant only for these squirrels. The Condors speak to each other, fearing extinction, bringing out naturalism. In 1985 the final 22 Condors are plucked from their tortured habitat and taken to the San Diego Tierpark and other sites for captive breeding.
Fast forward to 2012. An Aristotelian plot composition with mind-bending irony – first using the change of lot of money followed by society’s recognition (anagnorisis – a sudden discovery) that takes persons from ignorance to knowledge – might be a model useful for an ambitious screenwriter delving into the Condor’s fate. The reversal of fortune is definitely the demise from the Condor because of human surgery, intended and unintended. That lots of informed humans have gone by ignorance to knowledge wraps up the second part of Aristotle’s plot formula.
Regarding the irony in proposed Aristotelian plot, consider Oedipus Rex, for example. In the masterpiece by simply Sophocles, Oedipus launches an investigation into who have murdered his father, and learns to his morne and shock that this individual alone murdered his daddy. A screenwriter in 2012 that may be blending actual reality with fictional / naturalism story would be to have the father of the little boy (who is fascinated with these enormous birds with all the longest wingspan of virtually any bird in North America) investigate – at the recommending of his son – the reasons some recently unveiled California Condors are really ill and dying.
It turns out the father is a member of the Nationwide Rifle Connection (NRA), a group that will not accept the empirical research that displays Condors are poisoned when ever eating the carcasses of deer and other critters which were shot with lead principal points. The father’s investigation as luck would have it points to his own firm as helping to kill Condors and he can’t bear to tell his son, that is already heartbroken that a few Condors are dying. This Oedipus-like irony could be deemed Aristotelian. it’s a father-son story drenched in angst, descriptively genuine, crafted with the literary weapons of the future of hope colliding with history.
In conclusion, this not about a “Free Willy” plot. It is in regards to a battlefield between emerging conservation-minded generation today in midsection school and those who are in harmless denial because they kill all-natural world species. The details entail a restless adolescent innovation; thoughtlessness, avarice, and mature resistance to very good conservation will be crushing the natural world. The amazing, creative professional of a small boy – who understands a way to amuse the public (against the will of his parents) with a online video that depicts not the toxic amount of resistance of NRA members but the joy of any youthful upcoming – fits like a glove into the difficult draft of your screenwriter looking for fresh topics in a community chocking on
