A renowned painter, a school teacher, and designer was developed in 1888 in Switzerland. Having trained children in primary colleges for a very little, Johannes Itten started participating Geneva École des Beaux-Arts for one semester. After a few years, this individual got accustomed to Walter Gropius, who invited Itten as a master with the Bauhaus. He set up an initial course on the Bauhaus, that has been his very own universal design theory. His doctrine fully changed the training of fine art.
The peculiarity of teaching is that he advised students to not imitate the task of the prominent masters but for explore and develop their particular feelings, approaches, and styles. The course contains three parts: natural varieties and art of color, the research of canonic pieces of art and life sketching. Johannes Itten founded his school of art, where he taught healthy art.
Below you will find the art of Johannes Itten, which usually became the highlights of his imaginative work. They can be popular actually in modern times in which tastes and styles differ a lot.
The Face artwork was painted prior to Itten showed up to the Bauhaus and had covered the most important conditions that would later become important for his teaching right now there. Itten’s color wheel, using geometric numbers: circles, rectangles, triangles shattered the ground for his future interests.
The artwork is a symbol of a subset of paintings made during 1915-1916. Another that means is a personal one that all those paintings connected the tragic death of his beloved girlfriend, L. Wendland. The job represents the entwinement of spiral figures. The Face artwork can be viewed as the study of the ability of color as well as dynamics.
In the early years, Johannes Itten was fond of portrait architectural set ups, based on the arrangement of different geometric numbers. Tower of fireplace artwork was an example of a sculpture that could never end up being realized. The statue is build up out of crimson, blue and yellow obstructs. There are doze blocks: the first four are considered to be made of rock, the next four are material ones, plus the upper ones symbolize air flow, wind, drinking water, and globe. In the Itten color theory, the number 14 has its own that means, just as in the alendar.
Students Moses Mirkin made the artwork through the Itten’s study course. The task was to experiment and try to combine supplies such as solid wood, iron, and glass. Learners had to make use of their creativity and look for the ways to combine such supplies. This testing became primary for the training of artwork. The focus on materiality was obviously a guide for young students on the Bauhaus curriculum, arranged by the medium.
Vorkurs or perhaps, in other words, base course simply by Johannes Itten set up methods and styles on the Bauhaus that became crucial for educating the artwork nowadays. The most important thing was to inspire and develop the desire in students of if she is not afraid to realize colors and shades, elements, and styles. The course was the first and an necessary one in Bauhaus curriculum. Zero student was able to move on to the next course with no completing the first one.
Johannes Itten inspired college students to use portions of a true mysticism in their art. Being considering neo-Zoroastrian religion, he educated his students how to meditate and breathe. Gymnastics was one of the elements when it comes to increasing creative skills. At the Bauhaus, they applied Itten’s teachings widely right up until new philosophy was presented.
Itten exercised a color theory, the situation of which lies in associations of types of people or conditions with shades and its tones. In his work, it is stated that there are present seven types of comparative analysis.
