I chose to critique and analyze the works of Kirstie Laird. I liked the variety of her works, as well as the bright, amazing colors generally in most of them. I do think the one that engaged me the majority of, however , was Marionette since it didnt have got any of the orange colors or perhaps motifs dominant in her other performs. This puzzled me, since the title of her demonstrating was Fruit Girl each other photo in the showing fit it well.
I discovered Lairds functions quite a lot like those of Judy Dater. All their finished products arent also similar typically, but their causes of the pictures they take are almost identical. Lairds series investigates the ways in which we define ourselves through social functions, dress and physical markers, both organic and applied. This sounds very much like what Dater would like to convey in her self-portrait sequence by which she dressed and presented herself because stereotypes of certain types of women. Both women take special aches and pains to use themselves as versions (not an easy feat, I realize from knowledge! ). Not just that, they transform costumes and props in every single picture to convey the character they may be becoming. In a sense, they are stars, and each photo is a individual role for these people. How very well they fit the roles? That is a matter of view. I found every role they wished to convey was pictured quite well. As different as each girls style is, I continue to found some pictures I think were quite similar in many respects.
Lairds Kitchen and Daters Ms. Clingfree were two pictures I think were comparable. If you set the two side by side, you would observe nothing in them that was slightly similar. One is of a small attractive stay at home mom sitting around the kitchen counter, cheerily revealing the fruit pan. The different is of an old housewife, most likely one who has become married several years and is starting to feel the anxiety taking it is toll on her behalf. In that feeling, the pictures will be of the same person (a housewife) as the lady goes through the years. Laird displays her once she is happily married and every thing is sunny and shiny. Dater reveals the woman following the years took their toll and the girl with tired of all of it. I think their very own ages influence the work. Laird is quite young, 23 I believe, so it is only natural she’d show a new happy housewife. Dater, however , is fifty eight years old. She has seen much in her life, without doubt was going to some degree the unhappy housewife with a lot of chores and too little a chance to complete them in. I do believe in that feeling, the pictures happen to be of the same genre, they are likewise person symbolized at several ages in her life.
Lairds Marionette and Daters The Wizard were also related. In this case, although, the commonalities were in the actual picture and not the theme behind it. In Marionette, Laird is definitely the actual puppet on the strings. This picture also is actually the only one in her series where there is no orange color or orange motif inside the picture. I possess yet figure out why this is though. Perhaps it is the truest representation of her existence, how she feels she has not any control over her actions? In the event that so , then it is not only a character she gets assumed, and then the orange that symbolizes her characters need not apply. Again, her early age could effect this photo. At her age, her whole life is ahead of her, and there is very much confusion for making a career choice, perhaps she feels that the girl with not secure enough in her job right now, and thus has no control in her life. Inside the Magician Dater is the puppet master toying with the strings of her little puppet. She appears to be quite assured and in control of her life. Perhaps with her age she has accumulated security, and knows she has firm control of her foreseeable future. Dater appears far more comfortable in her stature in this picture than Laird does in hers.
Lairds Parasol Tattoo reminded me of Daters Nehemiah. I discovered Parasol Skin icon to be the many intimate of Lairds photos. It is the merely one in which she is not costumed, she is not assuming any roles. She is giving all of us an intimate glimpse of her body, her soul. I enjoy the tattoo designs on her back again, they are a fundamental element of her. The way the parasol blocks the head, yet shows the shadow than it, it enhances the mood from the picture. I really like the whole photo for this reason. I love how you can start to see the red represents where your woman just took off her bra. The whole photo is just and so intimate, it truly is sensual. I like Daters Nehemiah for this reason. In such a case, the picture isnt a self-portrait, but certainly one of her better nude pictures. It is a picture of the back of a bare man. You will see non-e of his face features, however you can tell so much by his back again. I love the line of it, the way the lights glisten on his skin area, it looks like silk to me. Costly incredibly sensuous picture, one of my favorites simply by her. In this instance, Parasol Printer ink and Nehemiah have related subject matter, plus the same sensuality oozes from because they are thus intimate. They provide me chills to look at these people, I love all of them love them really like them!!
Overall, I was quite impressed with the wide variety in Lairds work. She actually is a very imaginative individual, with some crazy tips. I love the fact that your woman does color photography, her work may not be precisely the same in grayscale white. It truly is her radiant colors that reflect her brilliant character and associated with pictures true representations of herself. We am eager to see what more she makes in the coming years, and am especially curious just how much her function will come to resemble Daters as the girl ages. I think right now her work is very vibrant because she is therefore young and untamed.. I i am curious whether or not it will calm with age.