The short history of D. V. Gogol “The Portrait” is built for the opposition of art and craft ideas to each other. A large number of Gogolists observed this in their works. The opposition of the two concepts arises from the start. Pictures at the mechanic, where Tchartkoff accidentally came, cause affection of the persons and the designers perplexity. This individual sincerely will not understand what specifically attracts the folks in these simple pictures, in which everything is caricatured, implausible, deliberate, unfeeling.
The protagonist mentally named them, “simple dullness, steady-going incapacity, which stood, through self-will, inside the ranks of art” The Portrait. Together with his artist instinct, Tchartkoff snatches from the almost all portraiture genuinely tableaus — it is simply no coincidence that he stops in front of the portrait of the old guy and interrupts. Still certainly not suspecting that, in front of him is not nearly an ordinary work, Tchartkoff feels the power of your brush of the designer who painted the portrait. The nature of these pictures may differ, the nature of the inspiration by itself, by the will certainly of which these people were created.
Imagination (pictorial, musical, architectural, literary) — is a type of attempt to get over disharmony, developing as a result of inside contradictions of any person or rejection from the surrounding actuality. When creating a piece, an author changes his tormenting doubts in artistic photos, engaged in a dialogue with himself and the addressee. Art is designed to balance the human heart and soul (an creator and a probable reader) and its adjacent reality, for this reason , true pieces of art are always perfect and harmonious in the oneness of all their structural elements.
This is the primary difference coming from graphomaniac tests in the literary, from music, satisfies the unpretentious needs of the world, paintings developed by buy — coming from what is now called well-known culture, put, kitsch. Art — the creative impulse of the soul, craft — a means of earning. Art is usually alive by nature, craft, outwardly pretended by simply creativity, — dead. The creator naturally, Tchartkoff draws exactly this difference. But for feel, understand creativity, always be talented and serve the arts — not the same thing. Tchartkoff seems to lose his impressive abilities in search of fashion, money, fame.
The moment life gets confronted him with a choice of art or craft, he chooses the other. The sparkle of his ability gradually ends away. At the end of the first part of the story we are up against an angry man, who have understands that this individual has changed his skill for a high-class life and honors, through which, to his regret, a talent didn’t want to be created — an excessive amount of distracting counter. Also, riches and fame provide ease and comfort, dull the senses, exacerbated in challenging situations. The ability of fragile sensibilities and awareness of the imperfection of reality triggers disharmony to some degree necessary for the creative procedure.
Tchartkoff can not resist the temptation and buys him self a fame and fame for money, which will dropped away from beneath the frame of the mysterious face. At the new, his gift idea of the designer still makes itself sensed: Tchartkoff attempts not only to match orders, but for create — he enjoys working, which has a dying breath of air he catches the colours, does not notice how time is working. However , the girl who bought the portrait does not want to see what it really can be, she wishes her child to be several, not the same as anytime: without a bit yellowish skin, without a faintly visible green under her eyes, with out dark areas on her deal with.
In other words, the consumer wishes her daughter to become “an complete, ” perfection. But the exterior perfection is cold and dead, it will not become with your life, life-giving. It does not become skill. Tchartkoff attempts to resist, attempts to give the family portrait more similarity with the unique, But not a great deal to remain dedicated to his calling, since “lest a single should accuse him of actual barefaced flattery. ” The Face. At this moment, when he is working on the 1st custom buy, Tchartkoff appears to be at a crossroads.
Getting, like the leading man of “The Queen of Spades, ” at the crossroads, Tchartkoff chooses one of the two possible methods. A quick achievement does not provide him joy, it is a mirage, an optical illusion that crumbles to particles when compared to true art. Delivered from Italy, the work simply by one of Tchartkoffs friends of youth hits not only him, but as well all with out exception: When ever Tchartkoff joined the room, this individual found an audience of guests already gathered before the picture. The most profound silence, including rarely settles upon a throng of critics, ruled over all.
The Portrait. Dozens of years, although Tchartkoff was indulging in beauty and to spend, his good friend worked hard, “There he buried him self in his function from which he permitted not entice him. ” The Portrait. The only method, detached in the worlds interruptions, not going after the imaginary values, not really paying attention to the society, you are able to create a true masterpiece. It is significant that inside the story you cannot find any the surname, nor the first name of the specialist, whose creation so affected the audience.
It truly is no coincidence that this character remains private, his name — Artist, Expert, Creator. A real artist does not pursue to get the masses recognition, masterpieces are not designed for fun nonproductive public. The creating a masterpiece of design — the impossibility of “being quiet, ” not really expressing. Goethe said that in the event he had not really written a novel “The Sorrows of Young Werther”, he cannot to move in. A man of art, even having learned to imitate fine art, is not able to accomplish that goal. The realization of the gap among him as well as the real designer strikes Tchartkoff.
No matter how the hero that has sold his gift tries to say anything, “everyday manifestation, strove to utter several such popular remark” The Portrait, they can not stay indifferent, “tears and sobs burst out uncontrollably, and he hurried from the space like one beside himself” The Symbol. What happens with Tchartkoff, is similar to Stendhal’s syndrome (in Stendhal’s syndrome, a person minted by a masterpiece of design, extremely extremely perceives every emotions, as if being used in the image space, reactions of victims in the syndrome are very different, up to foreboding or endeavors to ruin the picture).
At first, he cannot inhibit sobbing, then simply begins: to acquire the best that art developed of every kind. Having purchased a picture for a great price, he transferred it to his room, flung himself upon that with the vitality of a gambling, cut it, took it, cut it in bits, and stamped upon it using a grin of delight. The Face. However , this sort of a reaction is caused not so much admiration while envy, an understanding that he never had written in this way, will not create such a beautiful, purest, harmonious job. He tries to regain lost talent, once again takes up your brush, but the border that he passed many years ago strongly separates him from the past.
Tchartkoff for the loss of the gift blames the symbol of old fart, acquired by him within a shop a long time ago, a portrait that brought him a thousand platinum pieces, which in turn laid the inspiration for his fame. The strange portrait only provides Tchartkoff the means, the chance to become famous. As once he’s getting money, the young designer faces a decision: live on all of them for a long time, making only the important expenditure, devoting himself to hard work and art, or loudly declare his skills, to acquire clients and purchases, which means fame and good fortune.
Thus, the portrait from the old man is only a formal embodiment of that border, after which there is no longer a system back pertaining to Tchartkoff. Without a doubt, the tendency to paint images and to flaunt was at Tchartkoff long before this individual acquired an unfamiliar portrait. Not for nothing, the professor aware him, “Have a attention! society already begins to have its interest for you: I have seen you with a sparkly hat, a foppish neckerchief…. ” The Portrait. The professors worries were not unproven — Tchartkoff sometimes was living in a state of give up hope, and he was ready to quit his vain, as it seemed to him, labor:
Yes, nevertheless of what use is this? Studies, sketches, all will probably be studies, trial-sketches to the end. And that will buy, not really knowing myself by term? Who wants drawings from the antique, or the lifestyle class, or perhaps my unfinished love of the Psyche, and also the interior of my room, or the symbol of Nikita, though it is advisable, to tell the truth, compared to the portraits by simply any of the fashionable artists? For what reason do I be concerned, and toil like a learner over the buchstabenfolge, when I may well shine while brightly since the rest, and possess money, as well, like them? The Face.
The creativity of Tchartkoff confirmed the duality of his characteristics and the concerns of the teacher, “At present your coloring begins to assert itself too loudly, ” The Family portrait. Thus, the portrait from the old man as well as the devilish pressure contained in it, were not the main cause of Tchartkoffs refusal of authentic art, nevertheless only a motive, a sort of catalyst for this process. Tchartkoff is contradictory in mother nature: on the one hand, he has an remarkable talent, however, he is not able to withstand all of the hardships linked to the persistent accomplishment of the goal, with following path of Art.
Tchartkoffs story is only the initially part of the account, from which all of us learn next to nothing about the portrait alone, acquired with a young musician. We do not understand who is depicted in the symbol, how the face ends up in the shop, wherever Tchartkoff wandered, when and by whom it absolutely was painted. Everything can be said, — that the portrait was coated by a accurate Artist: “Dusty and defaced as the portrait was, Tchartkoff noticed, when he had succeeded in removing the dirt through the face, remnants of the function of a superb artist. The portrait appeared to be unfinished, but the power of the handling was striking.
The Portrait. Something surprises: the portrait is also a work of art, so why there is no desire in that, an inner predisposition to harmony, why does it provoke envy, anger, destruction? The style is uncommon, strange, “They (the eyes) fairly gazed out of the portrait, destroying their harmony using their strange liveliness. ” The Portrait. You cannot find any harmony inside the portrait, even though it is written by a gifted artist. However the master who also created it, says: “I will only declare I coated him with repugnance: I felt not any liking intended for my job, even at the time.
I attempted to force me personally, and, stifling every feelings in a hard-hearted way, to become true to nature. ” The Portrait. The portrait describes a gombeen-man (this, and also the history of the creation with the portrait, is usually told inside the second portion of the story), obtaining a strange darker force, “That’s how I should always paint the Devil! ” The Portrait — the musician thinks about the old man. The devils electric power, enclosed within a portrait frame, destroys the harmony in the picture. The effort of fine art stops becoming great, the portrait turns into only a window whereby the demons of the devil can find types way into the world.
The portrait of any gombeen-man destroys not only its own harmony, balance of one picture, but it seems to rebel against art generally: in the initial part of the tale it tells us the story with the ruined skill of Tchartkoff, in the second — the storyline of the creator of the portrait, his have a problem with the demons power, which will enslaved his will and talent: focusing on a picture for the cathedral, he had bestowed the usurers eyes upon all the figures. The Portrait. The impure force will take possession of the artists heart and soul, he can stay away from rid of their influence.
The devilish power in “The Portrait” is usually not kinky — this desperately and gloomily tries to destroy the Artist, prevent to bring tranquility to the universe that came out under his brush. For a time, genius and art happen to be enslaved by the devils electrical power. However , the real art plus the desire for a harmonious relationship in this are still better. True to his vocation, the artist moves away from the worldly vanity, lives as a great ascetic, at last reached enlightenment, creates a wonderful picture: “At the end in the year the picture was all set. It was a really wonderful job.
Neither previous nor brethren knew much about art work, but every were minted with the marvellous holiness from the figures. ” The Family portrait. Thus, an absolute artist, true to his trip and path can be busted for a while by the evil spirit, but to overcome — never. The novel “The Portrait” by Nikolay Gogol — the storyline of two artists which has been tested by the diabolical temptation: Tchartkoff by simply glory and money, the creator from the portrait by the ability to portray “the nature of darkness. ” One remains faithful to himself and serves the arts, the different — loses his ability, and then him self.
You have talent: talent is the most priceless of God’s gifts” The Face, а “An intimation of God’s divine paradise is contained for the designer in art” The Portrait, therefore art is especially, stronger compared to the devils electricity. It does not endure a fussy chase of fame, funds, success, it requires hard work and dilution from the master in his work, full immersion in creativity. Art gives strength to resist destruction and evil, to face up to the demons temptation. It assists to preserve or perhaps restore harmony in the heart of the founder and people.
